Shelters of People Experiencing Houselessness Are Photographed within Affluent Residences to Demonstrate Inequality

All images © Jana Sophia Nolle, shared with permission

Whether opulent or minimalist in style, the houses that Jana Sophia Nolle photographs are displays of wealth. Plush rugs cover hardwood, hardback editions line built-in bookshelves, and tall windows reach from floor to ceiling. Even the stark rooms with few sculptures and seats signify a choice, rather than a necessity, and demonstrate the ability to furnish a room with just significant objects.

Within these residences, though, Nolle reconstructs a contrasting shelter to illuminate a growing disparity. In her series titled Living Rooms, which culminated in a book published by Kerber Verlag, the artist situates the shelters of those experiencing houselessness within the dwellings of affluent folks in San Francisco. (Houseless refers to lacking a specific kind of structure, while homeless does not.) The single-occupancy structures often are formed with rain-resistant tarps, cardboard boxes, shopping carts, and other small objects.

 

Nolle started the affective series as a way to raise awareness about disparity, gentrification, and income inequality by explicitly comparing differences in living spaces, wealth, and security. “Art cannot, unfortunately, solve problems or change society: at least one work on its own cannot. It does not provide solutions, but it can wake up people,” she says. Although the photographs shown here were shot throughout 2017 and 2018, income inequality has only worsened. Recent reports state that while the wealthiest Americans have seen significant gains during the last few months, people with lower incomes have not rebounded to even pre-pandemic levels. According to the Federal Reserve’s data collected through the end of March, the richest 1% of Americans own 31% of wealth.

Nolle’s project is also empathy-driven, serving as a reminder of our shared humanity. “While working on Living Room, I noticed that unhoused people said that they feel invisible to the housed residents of the city,” she writes. “For most Americans, homeless people are barely visible, somehow on the edge of our vision in most urban areas.” Her time working in San Francisco was both arduous and gratifying and inspired her to join the Coalition for Homelessness. She formed bonds with about 15 people, who she later witnessed being forcibly removed by officials. “This was one of the hardest parts of the project. It is about people. It is about individuals’ lives.”

 

Prior to the pandemic, Nolle planned to replicate the project in Paris and Berlin. Her time photographing the French city was cut short by the lockdown measures, sending her to Berlin, where she’s been building relationships with people who are experiencing houselessness and those who aren’t. “While housed people can ‘go home’ and close their doors and do everything possible to protect themselves, I met many unhoused individuals who described how their networks and support structures changed dramatically due to the pandemic,” she writes. People who are experiencing houselessness are increasingly worried about being infected with the virus and struggling more because they report receiving fewer monetary donations.

Nolle also tells Colossal that she’s noticed differences in the materials people across the globe use to build their homes. While the structures in San Francisco generally are covered, those in Berlin tend to be open on top and use more mattresses for bases. She attributes these differences to both weather conditions and to the varying rules and landscapes of the cities. In terms of photographing large, lavish residences, Nolle says that due to the pandemic, a lack of connections, and other reasons, she’s had more difficulty finding wealthy people willing to open their living rooms to her in Germany. “Sometimes I get the feeling they do have money and wealth in the background but they seem to have trouble admitting it. Being wealthy/privileged seems sometimes also linked to feelings of shame,” she says.

The San Francisco-based series is currently on view through October 24 at Torrance Art Museum in California, while those captured around Berlin will be part of a solo show at Haus am Kleistpark staring in March 2021. Until then, follow Nolle’s work on Instagram. (via It’s Nice That)

 

Go BTS of the virtual, otherworldly beauty at GCDS’s digital fashion show

GCDS Digital Runway

When it comes to extreme fashion week beauty, we always know GCDS is going to deliver. From the triple-breasted models that walked the SS19 runway to the blooming models we saw last year who had flowers literally growing out of their faces to thehellip;

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Colorful, Geometric Stitches Embolden Black-and-White Photographs of Historical Figures and Cultural Icons

Yayoi Kusama. All images © Victoria Villasana, shared with permission

When Victoria Villasana (previously) lays a long stitch on a vintage photograph, she’s connecting the pattern or geometric shape to a piece of history, culture, or philosophy. The Mexican artist transforms found black-and-white images of cultural icons and historical figures through vibrant embroideries. Turquoise fibers radiate from Nelson Mandela’s fist, a gold, chevron collar lines Chadwick Boseman’s shirt, and Yayoi Kusma sports a multicolor garment with varying dots and stripes. Emboldened by stitches that often breach the photograph’s edges, the multi-media artworks exude power, strength, and beauty.

Villasana sources many of the images from the public domain, although she sometimes collaborates with photographers, as well. “I think color helps us to connect emotionally and I like to look at the past and merge tradition and vanguard. I’m also interested in symbolism and geometry in art as a way to communicate deeper meanings with each other,” she shares with Colossal.

To explore more of Villasana’s geometric additions, head to Instagram, and see the originals and prints available in her shop.

 

Chadwick Boseman

Federica Violi

Kara Walker

Nelson Mandela

Left: Miles Davis. Right: Harriet Tubman

Ryu Gwansun

Yayoi Kusama

Ashnikko prepares for the apocalypse and more looks we love this week

Ashnikko

Given we’re bang in the middle of fashion season, under normal circumstances the timeline would be filled with street style snaps of lewk upon lewk right now, as editors, influencers, and off-duty models jostle shoulders with each other to make sure they’re seen. Just in case you missed it, however, things are a long way off normal right now, with most of the industry’s biggest peacocks taking in SS21 proceedings from the comfort of their ownhellip;

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Marc Jacobsnbsp;Dev Hynesnbsp;Kimberly Drewnbsp;Mowalola Ogunlesinbsp;Ashnikkonbsp;Rico Nasty nbsp;
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Best 50cc Dirt Bikes for Kids (4, 5 and 6 Year Olds) Reviewed

You’re rocking the best whips out of anybody you know, hole shots on race day, and moto wins (probably not), and you want your kid doing the same? I hear ya’. I’ve been riding and racing dirt bikes for 20 years. So whether you’re wanting to trail ride with your kid, or get them into […]

The post Best 50cc Dirt Bikes for Kids (4, 5 and 6 Year Olds) Reviewed appeared first on TheCoolist.

Stone Island X Persol

I due marchi italiani leader nel settore dell’abbigliamento tecnico e dell’occhialeria si incontrano con un occhiale da sole in edizione limitata che riunisce Persol e Stone Island.

Le due aziende hanno realizzato un occhiale da sole con montatura in metallo rifinito con ponte e viti a vista, lenti in cristallo polarizzato blu in stile aviatore e aste gialle. Disponibili dal 29 settembre sul sito di Persol e di Stone Island, e presso rivenditori selezionati.

Ridisegnato esclusivamente per questa collaborazione, il modello proviene dagli archivi Persol e risale agli anni ’70. In particolare, per questa collaborazione che si ispira al mondo dell’aviazione con un richiamo diretto al workwear, viene utilizzato lo stesso macchinario usato per creare i modelli originali Persol.

L’occhiale ha una forma pilot, con un profilo caratterizzato da un ponte in metallo con viti a vista, creato artigianalmente con un’attenzione particolare al dettaglio, per assicurare la massima tecnologia senza rinunciare allo stile. Il ponte in metallo è spazzolato a mano per ottenere un effetto opaco, che contrasta con il resto dell’occhiale e con le lenti più lucide. Un unico modello in un’unica variante colore. Gli occhiali sono confezionati in una box dedicata, che insieme agli accessori restituisce l’essenza e l’attenzione alla funzionalità. Nella confezione, sono presenti, oltre agli occhiali, l’astuccio, un cordino portaocchiali e un kit per la pulizia studiato ad hoc.

Revealing Struggles and Joy, Expressive Portraits Are Superimposed onto Watercolor Foliage

“Being true to your nature III.” All images © Àngela Maria Sierra, shared with permission

Spanish artist Àngela Maria Sierra, who works as Riso Chan, explores the human psyche through subtly layered foliage. “I always imagine that they are someone’s soul, what we don’t see, our nature,” Sierra says of the delicate botanical assemblages that she overlays onto her subjects’ faces and torsos. Each portrait begins with a focus on texture and pattern as the artist paints clusters of twigs and leaves with watercolor. She then scans those botanical elements and uses Procreate to superimpose the figure onto the original piece.

Alongside their simple beauty, the pastel paintings, some of which are self-portraits, reflect the narratives and worries that consume the artist’s daily life. She describes her work as “a journal where I express moments or feelings that are important for me during those days. It’s a way to give those feelings space and then let them go.” Tied to both struggles and joys, topics include finding freedom through creativity during lockdown, growing up in an drug-filled home, and the bravery required to move forward.

Based in Amsterdam, Sierra is the founder of Bloom Art House, which hosts creative workshops throughout the capital city. Keep up with her expressive artworks on Instagram.

 

“Freedom”

“Being true to your nature II”

“Spring”

Left: “Turning on the lights inside.” Right: “Being true to your nature I”

“New Path”

“Toxic home”

Prada SS21: what you need to know about Raf Simons’ first show

Raf Simons Miuccia Prada after the SS21 Prada show

When Raf Simons was announced as co-creative director of Prada back in February, no one could have imagined that the fashion week in which he’d make his debut at the house would look quite like this. But the show must go on – and today that’s just what it did. Here’s what went down today at Prada’s SS21 Milan Fashion Week show.

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