After almost three months of working on-site at the Mattress Factory, OSGEMEOS (previously) revealed Lyrical, one of their most intimate and complex presentations to date. The exhibition includes a vast array of the Brazilian twins’ work, including paintings, sculptures, murals, in situ interventions, audio elements, found objects, and an impressive zoetrope sculpture originally created for their 2014 Ópera da Lua exhibition in São Paulo. An entire section of the show is built with pieces from their private collection, which includes folk art they’ve acquired during their travels. These collected works are displayed alongside small-scale pieces created especially for the exhibition.
Growing up in the bustling and multicultural Cambuci neighborhood of São Paulo, the brothers were exposed to hip hop at an early age. The pair started off as breakdancers, and have also dabbled as DJs and MCs before eventually becoming graffiti writers. Through street art, OSGEMEOS discovered their city’s rich culture, which helped develop their unique universe which they continue to expand upon today. Their installations, murals, and paintings are filled with colorful characters that imitate everyday people and friends, brought together to express the rich culture of the hip hop and graffiti world. You can visit Lyrical at the Mattress Factory through August 4, 2019.
After taking a much-needed break over the summer following his successful presentation in Paris in June, Pejac is now back in his studio, developing new works for his U.S. debut in New York City and preparing a special limited edition that will be released toward the end of the year. Mixing his most recognizable techniques and mediums, he’s been sharing some of the alluring new pieces via his Instagram, including most recent drawings and works on pressed wood panels.
The Spanish artist first introduced the captivating works on wooden chipboard from the Redemption series back in January 2017, and eventually had an entire showcase focused on these pieces back in September 2017 in Venice. Known for revisiting his ideas and concepts, he recently finished this poignant new piece titled Safari. Mixing some of the previously seen imagery, such as patrolling helicopters with a spotlight, or a lonely stag, Pejac combines these visuals into a dynamic image that depicts a wild animal caught in the open by an unknown authority. Using fastidious shading and light effects, he uses the unorthodox composite wood medium to create a powerful effect of objects flying around the animal as its surrounding crumble around it. Once again putting a focus on the careless and ignorant bearing of humans towards nature, the artist constructed a gripping image utilizing an original technique he developed.
With similar thematic content, Pejac’s most recent solo exhibition on an old waterway barge on the Seine in Paris included three masterful large-scale drawings, along with other works on paper. Portraying a post-apocalyptic, surreal future, these meticulously rendered drawings mounted on thick frames were matched the quality of his paintings while depicting the hefty subject with a direct and delicate technique. Showing a lone character diving deep to retrieve a sinking lifebuoy ring in between plastic waste, or a helicopter removing a lighthouse over a desert, these images showcase Pejac’s poetic vision and his ability to pass a sharp and weighty message in the most poetic way.
A great example of such narrative is his canvas Le Bateau Ivre (The drunken boat) from 2015, titled after a poem written by Arthur Rimbaud, describing the drifting and sinking of a boat lost at sea in a fragmented first-person narrative saturated with vivid imagery and symbolism. Making an analogy with poem’s verbal saturation, the image shows two boys finishing from a small boat drifting through a sea densely polluted with garbage. Originally exhibited at his 2016 London solo show “Law of the Weakest,” this troubling vision from only three years ago is repeatedly becoming an alarming reality around the globe. You can see Pejac’s works in progress and stay up to date on show and print release announcements by following him on Instagram.
Italian graffiti artist Eron (previously) creates poignant spray painted interventions which speak to humanitarian and social issues. Recently he created a stunning piece titled Tower to the People in Santarcangelo, Italy which converted a simple brick tower into a monumental painting celebrating the power of non-violence. The work features a raised fist that is constructed from a mass of lush roses painted in a classical chiaroscuro technique. The contrast between the fragility of the flowers and the power of the symbol they create speaks to the combined strength of individuals when united for a common cause.
Similar to his previous creations, the artist used spray paint to create an illusion of depth. The work appears almost sculptural, as if the fist was erected with the tower itself, rather than added on as a painted detail. Columns flank either side of the fist, each with hearts near the top and bottom corners. Eron explains that the work is a tribute to “the strength of gentleness, the power of non-violence, the victory of kindness, the triumph of love over hate, the intensity of poetry, the perfection of harmony, and the desire for freedom and peace among the people all over the world.”
In 2015 Eron was included in the landmark exhibition Bridges Of Graffiti during 2015 Venice Biennale, and earlier this year he painted one of his largest street art interventions to date in Milan. In addition to the public works, Eron has also been creating smaller pieces that revive found objects through his application of ghostly imagery. At the same time, the artist is producing studio works on canvas which cleverly mix realistic and surreal imagery, creating captivating images that strongly rely on both light and shadow effects. You see more of his public and studio-based works on his website and Instagram.
It was 2003 when Banksy (previously), following a record-breaking auction result for one of his canvases, created a harsh critique of the art market widely known as the Morons image. The photograph was taken from the legendary 1987 Christie’s auction where Van Gogh’s Sunflowers (originally titled Tournesols) broke the record for the most expensive painting at auction when it sold for $39.9 million. The elusive artist replaced the painting by the Dutch master with a text saying “I can’t believe you morons actually buy this shit.” A few years later the image was released as an unsigned edition at the Banksy’s 2006 Barely Legal show in LA, and it came to life every single time a copy of the print sold at an auction.
Banksy has now become a household name, and that his work achieves strong prices at major auctions is no longer a curiosity or exception. When Sotheby’s announced that a final lot of their Contemporary Art Evening Auction on the Friday night of 2018 Frieze week in London would be a previously unseen version of Banksy’s arguably most iconic image, Girl With Balloon, the art world was ready for another exceptional result. The painting on canvas was presented in an exceptionally thick and ornate frame, and sold for 1,042,000 GBP (1,357,726 USD including premiums) which matched the artist’s previous auction record from 2008. The real sensation, however, came moments after.
As the auctioneer was rounding up the evening and saying thank you and goodbye, an alarm went off and the canvas began to slide out of the bottom of the frame in strips. It seems that the artist built a shredder inside the thick frame that would allow the painting to self-destruct when triggered. At this point, it is unclear how the auction house could have allowed such a stunt, or what legal repercussions this act might have. Once again Banksy has managed to deliver quite the statement to the art market, and all inside the heart of one of it’s strongest and most established bastions. To quote his Instagram post on the surprising incident, “Going, going, gone…”
Video via @iknowaguy.gallery
Since 1985 David Louf, aka Mr. June, has been creating striking urban interventions, recently producing murals that layer three-dimensional effects onto architectural elements. Within the last year his vibrant geometric abstractions have challenged viewer’s perceptions in projects across the world, including a piece in Little Havana, Miami, an over 130-foot diameter dome in North Carolina, a mind-bending 3D mural for RAW project in Denver, and most recently, a grandiose piece for Urban Nation in Berlin.
Whether he is painting a graffiti piece, working in his multi-disciplinary graphic design studio, or creating a large mural project, Louf continuously aims to blend his love for typography, fascination with abstraction, and free spirit of graffiti culture. These results are regularly applied to the most unusual and unexpected urban structures.
Challenged by the existing architectural elements and obstacles, Louf likes to construct creations that will interact with their environment. He uses a laser liner to sketch up the main directional lines. Then he paints his abstract designs in an almost organic way, typically filling the entire side of whatever structure he is working on. “I always hope I can create a moment of awareness,” Louf tells Colossal. “Awareness of the viewer at that spot at that moment.”
Colossal ran into him fresh off the cherrypicker in Berlin where he had just finished painting a whole building opposite of Urban Nation. Now he is headed to future projects in Amsterdam, Aruba, and China, and prepping several studio pieces for an upcoming solo show in Miami during Art Basel week. You can see more of his geometric interventions on his website and Instagram, and the water tank roof he painted in Greensboro, North Carolina in the video below.
After setting up shop in a London corner store and NYC-style bodega, Lucy Sparrow (previously) has grown her unusual art showing/selling technique into a full-blown ’80s-style supermarket. Taking up 2,800 square feet of the Standard Hotel in Downtown LA, the British artist’s fifth large-scale installation is quite literally stuffed with replicas of common, everyday products, each handmade from felt. The shelves are packed with different ramen and instant noodle soups, Reese’s Puffs, Frosted Flakes and other popular cereals, three different brands of peanut butter along with Smucker’s grape or strawberry jelly, a whole range of favorite snacks, chips, pasta or rice, and all the essential personal hygiene products.
In 2014 Sparrow successfully used Kickstarter to fund her first major project in London called The Corner Shop, which offered 4,000 hand-sewn felt products. Three years later she hopped across the pond to open 8 ‘Til Late, a bodega located in Manhattan at The Standard, High Line with 9,000 items that sold out a couple of days before the official closing date. Challenged by the demand for her plush groceries, the artist locked herself inside her Felt Cave studio for a year and produced her largest and most elaborate project to date — Sparrow Mart.
The retro shop has all the familiar selections of American comforts, including a videotape rental section with ’80s classics like Footloose, Dirty Dancing, and Short Circuit. She also has fresh hand-sewn seafood on ice, sushi, fruits and vegetables, a variety of meat cuts and other animal products, popular snacks, canned goods, cereals, candies, sodas, liquor and cleaning products. Each item is meticulously cloned from felt, a material that evokes childhood and play. The fact that the store offers 27 different types of sushi (each produced in 300 pieces), plus chopsticks, wasabi, pickled ginger, and even soy sauce packed inside iconic plastic fish containers, says a great deal about the amount of detail and determination that went into creating this overwhelming installation. Working alone until very recently, the artist ended up hiring four full-time assistants in her studio and outsourcing fifteen professionals to complete this immersive project.
Offering a felt ATM in between the isles, an exclusive gallery section in the back, and ending with three felt checkout stations, each of the 31,000 products on view is available for purchase with prices ranging from $5 for bubblegum to $73 for a kimchi Michelada. Sparrow Mart is open through the end of August 2018 from 11am-9pm (closed Mondays). The installation is accompanied with Sparrow To Go, a 24/7 restaurant in the lobby of the hotel, offering dishes inspired by the items in Sparrow Mart and prepared by the hotel’s executive chef Julio Palma. After this, the artist is considering creating a similar installation in Chicago, Dallas, Melbourne, or somewhere in Asia, like Hong Kong or Tokyo. You can see more from Sparrow on Instagram.
French artist Julien Malland aka Seth Globepainter (previously) continues to create childhood-inspired interventions around Paris and the world. Earlier this year he had a major museum solo show at MoCA Shanghai which included elaborate sculptures and site-specific installations. He also painted one of his largest pieces to date on the banks of the Seine in Paris, and took part in a creation associated with the upcoming museum of street art at the Mausa Vauban. Malland’s poetic murals resonate with audiences of all ages.
“Sweetness and innocence from childhood regularly contrasts with the chaotic environments I choose to put them in,” the artist tells Colossal. He often places the children in environments with books as a reference to their imagination and creativity. After intensively traveling to over fifty countries during the last two decades, Malland is very much aware of the way globalization and modernization are influencing local traditions. “We read less and less with the proliferation of screen habits,” he explains. “While reading we create our own images suggested by words. The screen makes us lazy and spoils our imagination.”
Eight years after his first visit to Shanghai, Malland went back to the city this March to introduce a large project which took place both inside MoCA Shanghai and in its old alleys. Focused on the idea of childhood memories, the outdoor interventions were cleverly created on crumbling buildings and in deserted side streets. The works depicted children playing emblematic games of the ’70s and ’80s, and evoked the atmosphere of the once lively neighborhood. “The vanishing traditional way of life is being replaced by a more common consumer society,” he explains. “This kind of transformation is worldwide, but it’s faster and more sudden in China. Painting those emptied neighborhoods gives me the opportunity to highlight this metamorphosis and continue to explore the traditional Chinese habits that still intrigue me.”
A few months later he took part in a project initiated by Itinerrance Gallery and the Paris City Hall, painting the banks of Seine along with 1010, Momies, and Nebay. The four artists created a long stream of colorful artwork that following the riverbed for a little bit over a mile. Along with 1010’s trompe l’oeil abstraction of an abyss, Momies’ graphic composition in the colors of the French flag, and Nebay’s calligraphy, Malland painted an anamorphic piece visible exclusively from the Pont de la Concorde. The work depicted a child sailing on a paper boat through a rainbow vortex—another incarnation of his imagery that speaks about the purity and boundlessness of children’s imagination and spirit.
Finally, back in June this year he created two pieces inside of Mausa Vauban, an upcoming museum of street art in Neuf-Brisach, France. Once again he explored the idea of children at play. One work is a compelling installation of a little boy breaking a wall and leaving a pile of colorful bricks stacked around the room and an open passageway. Malland is currently preparing for solo shows in London (November 2018), and Shaghai (January 2019), as well as an outdoor project in a pediatric hospital in the US, and is also working on several new books. You can follow his travels throughout the globe on Instagram.
Russian motion designer Vladimir Tomin recently went viral with his most recent, mind-blowing video reel titled Прогулка (Stroll). As the title suggests, the footage is a first-person view of a casual stroll, filled with a collection of reality-bending events. Tomin places the interface of his work tools in the real world, gaining virtual superpowers that allow him to bend street lamps, cause a wave of painted street markings, digitally move a slinky down a set of stairs, move or knock things over, and more.
“When you have an idea, you can’t wait to see how it is going to work, and if it is going to work,” he tells Colossal. “So you work towards it, and during the process there is stuff that you have to figure out, stuff that works easier than you planned, and stuff that is much harder than you anticipated. It’s a very fulfilling process that is fueled by curiosity.”
The inspiration for his animations comes from different sources, but in this case, he was particularly intrigued with the power of Instagram’s realtime AI filters. With everyday gadgets being so technically advanced and providing such possibilities to end users, his reel was made with the vision of what future technologies might allow. By borrowing elements from the generic motion graphic program interface, the video constructs an illusion of utilizing 3D workstation tools in real time, just as commonly as one might use Instagram filters.
The concept was realized using his actual video footage as the background, with all objects that are being manipulated being animated in full 3D, mostly using Adobe After Effects and Cinema 4D. “Sometimes the idea is above everything else, and even if you currently have no clue how to make it work – you will find a way,” he explains. “That sometimes is challenging and it feels great to finally win that fight. Probably not unlike beating some nasty level in a very hard game. Hard but satisfying.”
Tomin has actively worked for over a decade as a graphic illustrator and motion designer, and has an impressive list of awards and projects under his belt. His list of clients includes Bloomberg, Boeing, Coca-Cola, Google and Intel. Vladimir is also a big Nintendo fan, and really enjoys the current trends and novelties of that world. You can see more of his graphics and video-based work, including this animated Nintendo Switch, on Instagram. (via Prosthetic Knowledge)