Istanbul-based collective oddviz uses photogrammetry to documents the world in three dimensions. By merging together aerial and ground-level images, the team is able to form high resolution representations of humans, landscapes, and objects to preserve their position and appearance in a web, video, or virtual reality-based medium. For their latest project, Inventory, the team captured elements from urban infrastructure that are often found covered with tags, graffiti, and stickers.
Oddviz started the project by photographing objects in their own neighborhood of Kadıköy-Istanbul, but have expanded the project internationally to include the ancient wells and fountains of Venice and Berlin, and the fire hydrants, telephone booths, utility poles and statues found during a week-long trip to Manhattan. By capturing the street culture that accumulates in public spaces, the group is protecting ephemeral materials that might never be catalogued in a museum or white-walled gallery. “Using photogrammetry, we are documenting and protecting street culture in 3-dimensions with high-resolution texture,” they explain.
The collective has created several 4k images of their collections, in addition to two videos that guide their audience through their finds in Manhattan and Venice. You can watch the videos here, and view previous works by oddviz on their website, Instagram, and Vimeo.
Once only used to illuminate a painting or photograph, light is now commonly used as the medium itself—glowing brightly from neon tubes, programmed as an interactive installation, projected to create an intangible feeling of warmth, or flashing as an LED spectacle. In her book Lust for Light published by Gingko Press, Hannah Stouffer (previously) culls the practices of a variety of artists such as Liz West, Miguel Chevalier, James Clar, Jun Hao Ong, and Yayoi Kusama to present a wide selection of more traditional and daring examples of light-based work.
Stouffer tells Colossal that while working for the last year and a half on the 376-page collection she was overwhelmed and humbled by the impact of light, while also fascinated by what it represents. “All of the artists in this book are working to recreate its likeness, utilize it as a source of their work, and capture the inspiring glow that it produces,” she continues. “There is both a fascination and familiarity with this elemental, undeniably appealing form of energy, which is both tangible and completely uncontainable.”
Starting tomorrow researchers will gather in Berlin for the ACM Symposium on User Interface Software and Technology. The symposium features projects on computer-human interaction, web user interfaces, tangible computing, virtual and augmented reality, and more. During the Human-Robot Symbiosis session a matrix of self-levitating nanocopters called “GridDrones” will be introduced by Sean Braley, Calvin Rubens, Timothy Merritt, Roel Vertegaal. The miniature flying machines act like pixels which can be programmed to perform specific animations and manipulated in real time. Instead of dragging and dropping apps on an iPhone, the technology could lead to manipulating flying objects in physical space which would completely alter how we view the landscape of a computer or phone “screen.” (via Fast Company)
Chris Perani uses macro photography to capture the microscopic details found on butterflies’ wings, such as multi-colored hairs and iridescent scales. To photograph with such precision, the photographer uses a 10x microscope objective attached to a 200mm lens, which presents an almost non-existent depth of field. “The lens must be moved no more than 3 microns per photo to achieve focus across the thickness of the subject which can be up to 8 millimeters,” Perani explains to Colossal. “This yields 350 exposures, each with a sliver in focus, that must be composited together.” In total this accounts for 2,100 separate exposures combined into a single image. For more detailed observations of butterfly wings, visit Perani’s website. (via Colossal Submissions)
Tucked into the estuary of the River Adur in the coastal town of Shoreham-on-Sea in Sussex, England is a row of houseboats in dazzlingly slapdash designs and bustling with the creative energy of its residents. One such person is Hamish McKenzie, an older man with swirls of gray hair shaved into his short beard and a laid-back attitude that comes from spending most of his days living inside of a docked boat. McKenzie owns seven of the uniquely designed vessels that line the riverbank, which include a renovated boat ambulance topped with a black and white checkered public bus and an airplane nose that caps off the bow.
McKenzie explains to Great Big Story that he had been searching for a nose cone for quite some time, and finally ran across one in a farmyard down the way from his houseboats. This ingenuity speaks to the freedom McKenzie and the other owners have while crafting their homes, which include microwaves as mailboxes and giant tractor wheels as windows. “I can safely say that there is no two identical,” explains McKenzie. “To a large degree, they exhibit the character of the people who live on them.”
Artist Julien de Casabianca (previously) is known for wheatpasting subjects from famous paintings onto public infrastructure as part of his ongoing Outings Project. Last month the French artist was invited to present a monumental installation at the Memphis Brooks Museum of Art in Tennessee alongside an exhibition and workshop. De Casabianca’s seven-story mural features a melancholic girl pulled from William-Adolphe Bouguereau’s 1886 neoclassical painting “Au pied de la falaise,” which is included in the museum’s collection.
Like his previous interventions, de Casabianca wanted to give the subject a new home, while also liberating her from the structure of the painting’s frame. In her new position she gazes out over the city, surveying the landscape from the building’s fire escape. The work is part of Brooks Outside, a recent curatorial program that presents outdoor installations around the institution’s grounds and city. You can see de Casabianca’s new work at 62 E.H. Crump Blvd through November 2018 as weather permits. (via Brooklyn Street Art)
Artist John Peralta creates sculptural odes to some of our most historic innovations by organizing and suspending components of sewing machines, typewriters, and old film projectors. Peralta hangs each screw, wheel, and lightbulb side-by-side in specially created lightboxes, creating three-dimensional diagrams which illuminate the inner workings of each machine.
The sculptures break down the mechanics of the 20th-century devices, presenting a unique peek into the simplicity of objects before the Digital Revolution. Peralta dissects iconic machines in areas such as design, communication, and entertainment. This technique, which he has used for over a decade, was inspired by seeing a similar sculptural diagram on the back of a Chinese magazine in 2005. “I was inspired by its fragile beauty, and imagined a three-dimensional version with a real object,” Peralta outlines on his website. “Using only a ruler and simple tools, which I still use today, I developed techniques for suspension which expose the inner workings of these humble mechanical objects.”
The artist’s work will be included in a presentation by New York and Los Angelos-based gallery George Billis at the upcoming SOFA fair from November 1-4, 2018 at Chicago’s Navy Pier. You can see more of Peralta’s work on his website and Instagram.
Thomas Jackson (previously) uses man-made objects to imitate the self-organizing behavior of large groups of birds, fish, or insects in his ongoing series “Emergent Behavior.” For this project, the San Fransisco-based artist clusters brightly colored umbrellas, plates, or streamers together with the help of imperceptible filament, which makes the objects appear as if they are floating through the landscape on their own.After each installation he makes sure to recycle and dispose of all items responsibly, with no damage occurring to the environment during installation or take down.
Recently he was invited to the Isle of Man to build several new works inspired by the island’s coastline, groves, and moors. The group of images will be exhibited later this year at Jackson Fine Art in Atlanta. You can see more examples of the artist’s photography on his website and Instagram.