Seven towering sculptures comprised of brightly colored facets have recently landed on the streets of Boston, courtesy of Okuda San Miguel. The multi-disciplinary Spanish artist, best known for his colorful interventions in and on buildings around the world, installed the series of seven sculptures called Air Sea Land in Boston’s seaport corridor. Okuda’s creations range from eight to twelve feet tall, and include regional wildlife like deer and squirrels, while also integrating mythological elements like a scaly humanoid sea creature and a seagull with arms and legs. Air Sea Land which is Okuda’s largest public art project to date, was curated by Justkids. You can see more from Okuda on Instagram.
Ana Martins, who works as Aheneah, recently reflected on the relaxed freedom of youth and captured that feeling in a cross-stitched intervention on a wall in Vila Franca de Xira, Portugal. The work is along a popular route to a local school, and is comprised of over 2,300 screws and nearly 760 yards of yarn.
The 22-year-old artist isn’t far from the experience of transitioning from student to adult. Martins shares with Colossal, “Every day, for many years, thousands of kids pass by this wall while going from home to school and from school to home. Most of the time just floating in their thoughts, lost in space, time and routine. Until their paths have to change directions. This happened to me a few years ago.”
She graduated in 2017 with a degree in graphic design, and in her professional work explores the connections between digital and analogue mediums, seeking to “deconstruct, decontextualize and transform a traditional technique into a modern graphic, connecting cultures and generations.” You can see more from Martins on Instagram and Facebook.
Photographer duo India Hobson and Magnus Edmondson (known collectively as Haarkon) celebrate the universal beauty and rich history of glass greenhouses in a new book, Glasshouse Greenhouse. Filled with verdant images of greenhouses from around the world, the book is divided into seven thematic chapters including History, Research, and Pleasure. Haarkon complement the visual storytelling with written reflections that explain each location and their experience in discovering it.
The UK-based pair travels widely for their editorial and commercial work as visual storytellers, and seeking out greenhouses has become a touchpoint in their explorations of new places. In an interview with the Telegraph, Hobson shares, “It’s a fusion of both botanicals and architecture, an odd but extremely satisfying mix of the organic and engineered which I think appeals to a broad range of [people]. To me, they are a universal language in some ways: the fusion of many cultures and countries all under one beautiful glass roof.”
Freshly published by Pavilion Books on October 4th, Glasshouse Greenhouse is Haarkon’s debut book and it is available on Amazon. You can see more from Hobson and Edmondson on their website and Instagram.
Montreal-based artists Melika Dez and Pauline Loctin met in January 2018 and decide to combine their imaginations in a creative collaboration. The result, PLI.Ē Project, fuses Dez’s skills as a movement photographer with Loctin’s expertise in paper art, and showcases dancers around the world wearing hand-folded paper costumes. Loctin specifically formed each dress’s shape and color palette to the dancer who would be modeling it, and Dez worked to situate her models in iconic settings from the streets of New York City to the Louvre Museum in Paris. Loctin’s paper creations range from resembling traditional ballet tutus to intricately folded experimental shapes.
Dez shares that the project came together in two phases: first as a studio shoot with professional ballet dancers wearing Loctin’s creations, and later as a worldwide endeavor photographing dancers and costumes outside. “Paper can be a fragile material to work with and that is exactly why we decided to make the impossible, possible. No matter which element we would be confronted to, water (rain), wind, we wanted to show that we are limitless.”
The PLI.Ē Project photographs are on view in Montreal through November 4, 2018, and the duo hopes to shoot a second series of the work and eventually publish a photo book. You can see more from Loctin on Instagram and Facebook and from Dez on Instagram. (via fubiz)
Artist David Chatt explores his past, family, and memories in all-white works created using found objects and minuscule white beads. Whereas earlier work was more purely decorative, like his colorful Breakfast Set (2004), over the last several years Chatt has simplified his color palette and plumbed the emotional depths of his life for more emotionally-engaged work.
In pieces created over the past several years, Chatt has drawn specifically from his personal and family history, selecting meaningful objects like a boombox from the early 1980s, the contents of his late parents’ nightstand, and the tools his mother used to create innumerable meals. Using glass beads and thread, the artist carefully covers each object, and he describes the act of covering as a means of both sealing off and protecting his memories. He shares with Colossal, “This process has the power to transform an object that, might as easily be relegated to land fill, into something precious and a record of a time, place or experience, something that encourages my audience to reflect on their own experiences and complete the story that I have begun.”
Chatt studied design at Western Washington University, Bellingham, in the late 1980s, where he recalls that a 6-foot-five male pursuing beadwork was not warmly embraced. Over the years, he has continued to refine his beadwork through post-secondary study. You can see work from Chatt in a group exhibition at Denmark’s Glasmuseet Ebeltoft in 2019, and in “A New State of Matter: Contemporary Glass” at Boise Art Museum in Idaho from November 3, 2018 to February 3, 2019, a group show which includes work from Steffan Dam (previously) and Amber Cowan (previously). (thnx, Diana!)
Another year, another 365 days of miniature glory from Tatsuya Tanaka (previously). On a daily basis for the past seven years, the prolific Japanese miniature artist has shared unique images of imagined scenes created using the simple combination of everyday objects, tiny model humans, and his boundless imagination. (For anyone keeping track, that’d be over 2,500 dioramas.) Crinkle-cut potato chips become desert sand dunes, spiral-bound notebooks delineate swimmers poised to compete, and books filled with sticky notes create an urban skyscraper scene. Tanaka periodically releases books, calendars, and post card collections of his favorite photographs, which he lists on his website. You can also join over a million Tanaka fans on Instagram and Facebook.
The Movable Books Society, a non-profit organization of pop-up book professionals and enthusiasts, recently released a collection of pop-up cards dedicated to the alphabet. The letter-filled tome, titled A to Z: Marvels in Paper Engineering, features designs from 26 paper engineers and celebrates the Society’s 25-year history. Each card is consistent in size, measuring six by eight inches, but features strikingly different designs from a wide array of paper-focused designers.
Included are the strong graphic sensibility of Kelli Anderson (previously), Hiromi Takeda’s delicate ode to flowers, and a supernova “S” by Isabel Uria, a Brazilian artist who also designed the clamshell box. In addition to each letter folio that includes a description of its artist’s inspiration, the compendium comes with a history of The Movable Book Society by Ann Montanaro Staples and an introductory essay by Larry Seidman. A to Z is limited to 2,000 copies and is available for pre-order on the Society’s website.
In the ever-widening world of drone photography, Reuben Wu (previously) has made a name for himself with his unique images that combine lighted drone patterns with stark observations of natural land formations. Two months ago, Wu travelled to Peru to continue his body of work called Lux Noctis. Peru’s Pastoruri Glacier is a rare remaining tropical glacier, sited at 17,000 feet above sea level in the Cordillera Blanca mountain range.
The trip was part of the filming for a Great Big Story (previously) video series titled “Made From Mountains,” and involved research, scouting, and treacherous travel to safely reach the glacier. In addition to the logistical challenges and the frigid, remote location, Wu shares with Colossal, “I photographed the glacier with conflicting feelings. I wanted to show evidence of its alarming retreat, yet I was drawn to the epic scale of the ice which remained. In the end I leaned towards the latter, but each photograph represents a bleak reality, a fading memory of what once stood.”
You can see more of the artist’s illuminated photography on Instagram and Facebook. Wu’s artist book of his Lux Noctis series is available for pre-order and is already almost sold out. Reuben Wu’s “Coors Light: Made from Mountains” episode is featured on greatbigstory.com. (via PetaPixel)