Abandoned vehicles are swallowed by the surrounding forest in “Nature Takes Over,” a photo series by Thomas Strogalski. The German photographer, normally based in Düsseldorf, was on assignment in Maui, Hawaii for a client and found some spare time to pursue this personal project. “During my 5-week stay, I discovered striking irregularities within the lush, fascinating nature,” Strogalski tells Colossal. Old automobiles, from sedans and trucks to camper vans and R.V.s, the once-powerful machines have been subsumed beneath towering trees and twisting vines. “I am fascinated by the thought that in the end nature will take over man,” reflects Strogalski. “With peace, lasting continuity, flexibility in harmony with permanent adaptation, nature seems to reclaim what one wants to take away from it.” Explore more of the photographer’s professional and personal work on Behance and Instagram.
Since receiving a power washer for her birthday this fall, Dianna Wood has turned her driveway, and those of her lucky neighbors, into works of art. Similar to the reductive processes of printmaking and scratchboard art, Wood removes areas of her “canvas” to reveal lighter tones in the form of cardinals, dogwood blossoms, butterflies, and other delicate flora and fauna. On her blog, Wood explains that she deftly adjusts the distance and angle of the power washer nozzle in relation to the cement to create the nuanced illustrations. The hobbyist artist and lifelong creative has garnered widespread attention for her just-for-fun street art. Those interested in keeping up with future projects can follow Wood on Facebook. (via My Modern Met)
Animator Siqi Song explores the deeply personal implications of China’s One Child Policy in her powerful animated short, SISTER. The film uses felt stop-motion animation to tell the story of a family that conceived two children during the years—1979 to 2015—that the Chinese government controlled the number of children families could raise. An adult man, the film’s protagonist, looks back on his youth and the complicated family dynamics among siblings and parents.
“Growing up with my brother has been a privilege and a bittersweet experience for me,” Song explains. She shares that, being an exception to the rule, she has been the subject of many questions from friends about the experience of growing up with a sibling. “I also want to tell the stories of my friends, who would’ve had a different life if their siblings were born,” says Song. “This film is dedicated to this group memory.”
The Los Angeles-based director and animator has worked on several of her own highly lauded shorts, as well as on the feature film Missing Link. Watch more of Song’s films on her website (where she also shares behind-the-scenes shots), and follow along with new projects on Instagram.
London-based photographer Tim Flach travels the world capturing the nuanced expressions, unique patterning, and unusual profiles of animals large and small. Often focusing his lens on endangered and vulnerable species, Flach highlights the traits of animals that are at risk of disappearing due to habitat loss, climate change, and human activity. The photographer has worked with a huge range of wild, domestic, and captive animals, from Saiga and Beluga Sturgeons to Pied Tamarin and Pangolin.
Set on plain backdrops à la studio portraits, Flach’s bird photographs particularly stand out. His sharp, clear portraits show the colorful and wildly shaped feathers and beak of birds from the U.S. to the Himalayas. A stately Jacobian Pigeon, its two-toned ruff of feathers framing a white-crested face, seems to peer elegantly at the view, while an assertive cardinal stares pointedly, a white highlight glinting off the hook in the bird’s red beak. A statement on his website explains the relatable emotional quality of his work:
Tim Flach is an animal photographer with an interest in the way humans shape animals and shape their meaning while exploring the role of imagery in fostering an emotional connection. Bringing to life the complexity of the animal kingdom, his work ranges widely across species, united by a distinctive stylization reflecting an interest in how we better connect people to the natural world.
Flach has published several books of his photography: one is centered around endangered animals, while others are species-specific, celebrating horses or dogs. You can explore the artist’s catalog as well as several galleries of animal portraits on his website, and follow him on Instagram for first glimpses of new work.
Rachel Lopez has a thing with… taxi ceilings. Instead of joining the 200,000+ Instagram posts hashtagged #ihavethisthingwithfloors, the lifelong Mumbai resident flips her phone’s camera into selfie mode. Lopez documents the vast array of eccentric plastic patterns covering the ceilings of her hailed rides, many of them taken in her frequent trips around the city as a journalist with the Hindustan Times.
Mumbai is home to about 58,000 metered taxis, and each one seems to feature a totally different interior aesthetic. Though many of the cars themselves are the same model, drivers often line the ceiling with colorful patterned plastic or vinyl to protect the easily-stained felt fabric. She prefers the traditional taxis to the newer influx of startup ride shares, despite the unpredictability of independent operators, who may decline a trip depending on the destination. Since April 2017, Lopez has been collecting consistently framed photos to track the diversity of designs she encounters.
“I live for the day a driver shows interest in my collection. Most of them, when I compliment them, merely grunt in acknowledgement,” Lopez tells Colossal. “They’re determinedly uninterested, for some reason. But a few of them will indulgently smile and get on with the ride. In Mumbai, if you’re a solo woman commuter, the driver is much more interested in whether you’re married, Indian politics, and how much money a journalist makes.”
As she continues her to add to her simple yet infinite collection, Lopez has enjoyed connecting with others. She displayed one hundred of her photos this February at Kala Ghoda Festival, which is Asia’s largest street festival for the arts. “I was keen to show on the street, not in a sanitized gallery, so everyday crowds could appreciate them,” says Lopez. “The response was overwhelming! The sheer diversity and number of designs are a surprise even to lifelong Mumbai residents (even I’m shocked that I still find new ones two years into the project). It’s one of the most gratifying outcomes of the series—being able to share with my beloved city the pictures I’d been quietly taking.”
Beadwork artist Myrlande Constant has spend nearly three decades honing the craft of her intricate flag tableaux. Often spanning six or seven feet, the large-scale flags feature religious, historical, and mythological scenes, surrounded by a beaded “frame” of abstract patterns or symbolic objects. Constant hails from from Port-au-Prince, Haiti, where she continues to live and work. The artist learned the art form from her mother, who was a factory worker at a local wedding dress manufacturer that created beaded garments. Apparently, several other women who were employed at the factory also created artwork in the Vodou flag tradition outside of work hours.
Constant was recently commissioned to create a new work, one of her largest to date, for Faena Hotel in Miami, Florida. It will be displayed, along with several of her other flags, during Faena Festival, a free series of events and installation running December 2 – 8, 2019, alongside Miami Art Week. Learn more about Constant’s work in a Huffington Post article by Wesleyan University.
It’s often said that even the most successful people start small. What they probably don’t mean, though, is that to become an author equal to the timeless stature of Charlotte Brontë, you should pen a miniature magazine first. Yet Brontë did just that: in 1830, at age fourteen, she hand-wrote six issues of a petite periodical, one of which recently came up at auction for $777,000. The Young Men’s Magazine was a matchbook-sized series including stories and even advertisements of Brontë’s devising.
The Brontë Society placed the winning bid to acquire Brontë’s magazine, wresting it back from the Museum of Letters and Manuscripts, a now-shuttered for-profit (and fraud-ridden) venture that nabbed it in 2011. Learn more about the history and significance of The Young Men’s Magazine in the video below, which features Ann Dinsdale, the curator of the Brontë Parsonage Museum in Haworth, England.
Dripping blobs of oily black, cosmic haze, and octopus tentacles emerge from the screens of smartphone users on the streets of London. Illustrator Andrew Rae teamed up with street photographer Ruskin Kyle to add some visual flair to people immersed in their electronic devices. Some of the protagonists are simply standing on the street using their phones, while other have paired their device usage with competing activities like dog-walking and ramen-eating.
“I always go for a walk on Hampstead Heath in the mornings for inspiration and I found myself nearly bumping into people on their phones,” Rae tells Colossal. Because many people in the area also are out with their dogs, “it started me thinking about the phones as if they are little pets or creatures that they are carrying in their hands.”
Rae shares that the idea percolated over time, and in conversation with his photographer friend, the pair realized the potential in the concept. Initially, Rae tried to completely replace the phones with illustrations, but he then decided to incorporate the physical technology as the source, or a part of, of the imagined creatures. In developing each character, Rae worked from some tried-and-true shapes and concepts from his larger illustration practice, and let each one develop organically.
To keep up with new embellishments of tech-absorbed passersby, follow Andrew Rae on Instagram and see more of Ruskin Kyle’s street photography on the platform as well. Just don’t bump into a stranger while you scroll through! (via My Modern Met)