A fun series of digital illustrations by CGI artist Andrei Lacatusu from Bucharest, Romania. See more images from “Social Decay” below.
For their latest dizzying interactive installation, Japanese collective teamLab (previously) brought the ocean indoors, creating a projected environment that reacts to the movements of visitors, all encased within the infinite space of a mirror room. Titled “Moving Creates Vortices and Vortices Create Movement” the work is inspired in part by the life cycle of the ocean, particularly the movement of plankton as represented by the reactive particle effects that spin like whirlpools as you pass through the exhibition space. The speed and direction of people’s movements are all factored into the projections and in the absence of motion the room gradually reverts to darkness.
The Vortices installation just opened at the National Gallery of Victoria in Melbourne, Australia where it will remain on view through April 15, 2018. You can learn more on teamLab’s website. (via Designboom)
Facades is an ongoing series by French photographer Zacharie Gaudrillot-Roy (previously) which strips isolated buildings of everything but their forward-facing exteriors. In his third iteration of the project he presents the facades of small homes, boutiques, and stately mansions at dusk. The structures are lit by the last waning light of day, in addition to a few street lamps that dot the lonely roads.
Gaudrillot-Roy started the project several years ago to examine what would happen when he digitally erased the possibilities that lie behind a building’s front door. In this world, the buildings have no tenants, which prevents any secrets from lurking behind the presented brick veneers. You can see more of Gaudrillot-Roy’s facades from previous projects on his Instagram and website. (via Cross Connect Magazine)
Taking inspiration from a wide variety of electronic brands, designer Vinicius Araújo designed this alphabet of Helvetica letterforms, each modeled after a brand’s namesake product. The letter “N” for Nintendo becomes a retro-styled NES gaming system while the “B” for Beats grabs the aesthetic of comfy headphones. Araújo went even further with several of the letters to create a few brief animations. You can see the entire series titled 36days Electronics on Behance.
Though it’s practically over before it starts, this brief animation titled flow/er by Alexa Sirbu and Lukas Vojir takes us into a primordial world of blooming flowers, where organic particles and flower petals collide in beautifully random explosions. Their statement on the project:
In nature, it is often the simplest rules that lead to forming the most complex, beautiful forms.
flow/er is a visual poem that observes this through a design lens, combining our fascination with organic,
raw aesthetic with foreign geometric forms. We observe natural laws take shape in a strange dance of meticulous choreography clashing with violent forces of nature.
Elements, an experimental art film by Maxim Zhestkov, follows more than two billion black and white spheres through a series of experiments within several enclosed spaces. Throughout the film the particles swarm through different white rooms, each labeled with subtle wall text that broadly defines the physics of each animation such as flow, diffusion, and pressure. Set to a score of hauntingly hollow tones, Elements is intended to express laws of nature and mathematics, visually representing the composition of particles found in each of us.
“The film is a trial to explore the idea that everything around us and inside us is made from simple elements or blocks which can be arranged in complex relationships and become compound structures,” says Zhestkov. “We could project this idea into emotions, behaviors, thought processes, relationships, life, planets and the universe.”
Zhestkov is a visual artist and motion designer based in Russia working in animation, design, and cinematography. You can see more of his short film projects and illustrations on his Vimeo and Behance.
Australian artist Andy Thomas (previously here and here) presents his first installment of Visual Sounds of the Amazon, a responsive artwork that alters its visual shape based on audio Thomas collected from the Amazon rainforest. The animation sequence is one that can hardly be described, as bright bursts of light escape a tangle of blue and yellow helixes each time a bird squeaks, with similarly colored balls orbiting the digitally-composed mass.
Previously Thomas has made responsive artworks to other flora and fauna, specifically using recordings created in Australia and the Netherlands. This particular iteration will be screened at Render, a festival of animated hybridizations in Lima, Peru. You can view/listen to more of his otherworldly and adaptive video work on his website.
Artist Nicolas Sassoon has made one of the largest animated gifs we’ve seen (several smaller gifs combine to form one large 7680 x 2160 image)! The imagery is based on the architecture of Skylight, an artist-run space here in Vancouver. See more gifs/sections of the larger image below or on the project website.