New work from Lisa Ericson (previously) continues the Portland-based artist’s hyperrealistic compositions of animals. Set on deep black backgrounds, her paintings showcase unusual combinations of peacefully co-existing fauna. Pelicans support rabbits, snakes, and ocelots, while tree frogs and songbirds find homes on the shells of turtles. Her most recent paintings are on view through May 25 at Antler Gallery in Portland, in a show titled Invisible Promise, alongside work from Scottish artist Lindsey Carr. You can see more from Ericson on Instagram.
Korean painter Kwang-ho Lee (previously) depicts larger-than-life cacti in oil paintings that stand up to 8-feet tall. Every thorn, bloom, and branch is painted with excruciating accuracy, bringing the most minute elements into hyperrealistic focus. Lee studied painting at Seoul National University and is represented by Johyun Gallery.
Australian artist Cj Hendry (previously) tricks the eye with her hyper-realistic drawings, works that recreate the appearance of thick swabs of brightly colored paint. To achieve the dimensionality and sheen of fresh oil paint she layers dry pigment atop colored pencil, accurately portraying the liquid medium’s viscosity.
The series, Complimentary Colors, is far different than the artist’s previous style, which for several years had been exclusively black and white. You can view pieces from her past and present, as well as a series of billboard-sized works, on the artist’s Instagram. (via My Modern Met)
Nigerian artist Arinze Stanley works with graphite and charcoal pencils on large sheets of cartridge paper to render enormous portraits of his subjects. Spending upwards of 200 hours on an artwork, Stanley agonizes over the most minute details of each piece to painstakingly capture reflections of light, droplets of sweat, or tangles of hair.
Where some hyperrealistic artists lean towards idealized perfection, Stanley instead focuses on pure realism, infusing portraits with a raw sense of emotion and drama. The scale of each piece, always slightly larger than life, adds an uncanny three-dimensional aspect.
Antonio Santin produces works that are nearly impossible to identify as paintings, hyperrealistic depictions of decorative rugs covered in complex floral arrangements and patterns. Each piece is composed of thousands of paint strokes that mimic the texture of a rug’s weave, thick segments of oil paint that transform his nearly five-foot long canvases.
Adding another layer of difficulty to the detailed paintings, Santin includes bulges and creases that appear to obscure large masses beneath his 2D surfaces. Previously working with still lifes, Santin told The Creators Project that the rugs were a way for him to get rid of the figure within his works while still holding on to the outline of its shape. He calls his rug series “figurative paintings without a figure,” eerie pieces that give an illusion of a body hidden beneath the surface.
The New York-based artist was born in Madrid, Spain in 1978, and graduated with a degree in Fine Arts from the Universidad Complutense de Madrid in 2005. You can see more of his rug paintings on his website and Instagram. (via The Creators Project)