Portuguese textile artist Vanessa Barragão produces carpets and tapestries from a variety of different techniques, creating multi-faceted landscapes with the use of latch hooking, crochet, weaving, basketry, and felt. Her environmental works present imitation coral, fungi, and algae as three-dimensional elements in plush contexts such as the circular work viewed above which she calls Earth Rug. The piece was developed for this year’s Milan Design Week and spans nearly 15 feet in diameter.
Copenhagen’s Grundtvig’s Church is a rare example of expressionist church architecture, and one of the most well-known churches in the Danish city. French photographer Ludwig Favre was attracted to the perpendicular lines that compose the early 20th-century structure, in addition to the nearly six million yellow bricks that fill its interior. Favre decided to shoot the building’s 1800-seat congregation, capturing the minimal ornamentation found in the famous church’s massive vaulted halls and nave.
Favre is a photographer that specializes in major city landscapes, and has a history of shooting interiors, including his work at the La Sorbonne, and other cultural destinations around Paris. You can see more of his images on Instagram and Behance. (via This Isn’t Happiness)
The Samphran district of Thailand hold’s one of the most unique Buddhist temples found in the country. The bright pink temple, called Wat Samphran, stands 17-stories high and is wrapped in a scaly green dragon. The design of the structure came to the founder of the temple during a 7-day fasting meditation, and is built 80 meters tall to honor the number of years that Buddha lived.
Visitors can climb the great building and touch the dragon’s beard or large talons from an access point on the roof. You can get a 360 perspective on the gigantic temple in the Great Big Story video below.
Textile artist Cat Rabbit (previously) continues to produce a variety of croissant-headed spindly-legged felt creatures, all made by hand in her Melbourne studio. Many of the pieces seen here are special commissions, and several characters also make appearances in storybooks called Soft Stories, a collaboration with Isobel Knowles. You can see more Cat Rabbit goodness on Etsy and in her shop. (via Lustik)
Japanese architect and designer Taeg Nishimoto’s “Blurred” series involves a set of three-sided, sculptural lamps with a changeable layered surface. While appearing porcelain-like during the day, when the lamp is turned on iridescent light emerges from a combination of heat-responsive polyvinyl, heat-resistance polyester sheets and liquid rubber to create a parabolic surface which reacts to air flow from the outside.
The concept is based on “cloud iridescence”, a naturally occurring phenomenon caused by small droplets of water or ice in the clouds that individually scatter, blurring the sunlight. Click here for a more detailed description of how the lamps work and check out more images below.
Multidisciplinary artist and architect Philip Beesley weaves together such a broad array of technologies and systems in his artworks that they legitimately defy description, but the immediate impact of encountering these sprawling interactive installations is visceral and awe-inspiring. His latest work, Astrocyte, connects chemistry, artificial intelligence, and an immersive soundscape to create a living piece of architecture that responds to the presence of viewers. Comprised of 300,000 individual components, the piece was on view against the industrial backdrop at Toronto’s port lands for EDIT: Expo for Design, Innovation & Technology last October. From a statement about the project:
The structure is made up of resilient, lightweight meshworks of thermally formed acrylic, laser-cut into geometrical patterns optimized for production with minimal waste. This unique space truss system is part of the Living Architecture Systems’ pioneering research into resilient and adaptable structures. Astrocyte’s structural mesh components use overlapping strands of material in doubly-curved conical forms that achieve extraordinary strength from minimal material. These innovative forms are clustered together in bundles that are similar to the multiple filaments spanning between outer and inner shells of natural bone structures.
The piece further incorporates 3D-printed lighting components and masses of custom glasswork that contain a combination of oil, inorganic chemicals, and other solutions to form a sort of chemical skin. At the core of Beesley research is the question of whether architecture can truly be “alive,” opening the possibility for self-repairing structures or deeply responsive organic environments, where artificial intelligence exists at almost every level of design. Regardless of the complexity and heady ideas, the works are deeply aesthetically intriguing, something directly out of science fiction.
Beesley is the director of the Living Architecture Systems Group and a professor at the School of Architecture at the University of Waterloo. You can explore much more of his work on his website and along with several videos and interviews on Vimeo. (via Colossal Submissions)
Photographer Christopher Herwig has circled the former Soviet Union, exploring the most remote areas of Georgia, Russia, and Ukraine to find and photograph its unique bus stops. After the success of his first book Soviet Bus Stops, he decided to explore the subject matter again for his new follow-up collection Soviet Bus Stops Volume II. In this book Herwig focuses on Russia rather than its former Soviet counterparts, driving nearly 10,000 miles around the massive country finding its incredibly diverse transportation shelters.
These architectural forms are more deeply explored in a forward by architecture and culture critic Owen Hatherley, who details the government policies that have allowed the bus stops to remain. You can view more of the Jordan-based photographer’s work on his website and Vimeo. (via Design You Trust)